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Wednesday, 3 March 2010

Godfather film review

Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. If The Godfather was only about respectable Mafia types, it would never have got aso many awards. The characteristic that sets this film apart from so many of its predecessors and successors is its ability to weave the often-disparate layers of story into a cohesive whole. Any of the individual issues explored by The Godfather are strong enough to form the foundation of a movie. Here, however, bolstered by so many complimentary themes, each is given added resonance. The picture is a series of mini-climaxes, all building to the devastating, definitive conclusion, which happens to have a big shoot out which results in other Don's being killed.

The film opens in the study of Don Vito Corleone, the Godfather, who is holding court. It is the wedding of his daughter Connie, and no Sicilian can refuse a request on that day. So the supplicants come, each wanting something different - revenge, a husband for their daughter, a part in a movie.

The film has three parts in total, the godfather a thriller/action film isnt a very common type of thriller that we see today in cinemas, it has a very unique way of approchinging the thriller genre. the story line doesnt hold a genuine thriller scene were people are usually murdered and the antagonist usually is a step behind the protagonist. Here In Godfather Mario Puzo has developed a very strong story line which has a gangster status, there isnt much killing going on in the film, however the suspense the storyline brings is utterly amazing the way the film grips the audience makes it a thriller, at times where the main Don is talking it does his voice and his faciaql expressions make you think how can a man like this be so powerful? However you realise during the duration of the film that it is possible for any man to become powerful, or succesful in some cases, not mattering how big or small the person is.

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